Space does not permit a synopsis of the complicated plot, other than to say Il Trovatore is a deep, dark tale of love, vengeance and passion, and Southern Opera delivered the dramatic conflicts of tragedy and betrayal with high standards of professionalism in every area.
Tom Woods (Australia) conducted the Christchurch Symphony Orchestra with fine nuance and balance, and the story unfolded under direction of Elric Hooper, production manager Rob Peters and chorus director Louise Clarke.
An ingenious set designed like a huge scaffolded cage with platforms altered smoothly at scene changes (set designer John Parker), but the lighting (Joe Hayes) and continuous full backdrop projection was the catalyst that clinched the staging.
Slowly moving clouds changed from calm to stormy, through grey tones to sienna, or to violent flames with faces superimposed to portray the souls' turmoil.
The splendid harmony in the nuns' chorus was enhanced by flickering cream candles matching stunning white robes and pleated wimples (costume design Elizabeth Whiting).
The real stars, of course, were the international singers. Elena Bocharova (Russia) played the gypsy Azucena with convincing characterisation and a huge voice with a lush lower register which was never lost amongst orchestration.
American tenor Carlo Scibelli played Manrico. After four Christchurch performances while fighting a throat infection, Scibelli still sang magnificently but (as announced at the start) opted out of the most famous aria in this opera Di quella pira. Very disappointing, but understandable for tenors facing high C when unwell. His performance otherwise did not show signs of illness.
New Zealand soprano Patricia Wright gave a strong dramatic performance as Leonora, and the Korean baritone Seung-Wook Seong played Il Conte di Luna with clear baritone timbre, never gravelly, with strength and fine articulation. Supporting cast were Wade Kernot, Janette Walker and Fernand Kenel.
The audience was noticeably spellbound at times, especially when singing was off-stage and the packed auditorium was totally silent, drawn into the action. It is hoped that this support for Il Trovatore will ensure further visits to Dunedin from Christchurch-based Southern Opera.